[joe-frank-list] Episode with female actor

Ramon ramon at jfwiki.org
Wed Mar 24 16:13:25 PDT 2021

Try out The More I Know You.

There's another one where a young woman talks about meeting a couple in the
grocery store who are preparing large hams.  She and her friend go over and
have some kind of post-ham foursome. I can't pinpoint the episode though.

On Wed, Mar 24, 2021, 4:06 PM Tony DeLio <delantony at gmail.com> wrote:

> Does anyone know which episode/ segment is where
> it's one female (who is not familiar or a regular I don't think)
> where she's describing a very intimate encounter?
> It's very slow paced and sensual and after that I can't remember LOL.
> Used to be one of my favorites,
> can't find it or remember what it was called.
> Thanks!
> tony
> On Wed, Mar 24, 2021 at 8:44 AM <russellbell at gmail.com> wrote:
>>         Joe complains about people who befoul public toilets, imagines
>> punishing them, then people who play their records too loud, those
>> with boomboxes, the mess in subway platforms, movie theatres,
>> panhandlers.
>>         10: Joe tells of going to the Childe Harold (a tavern in DC -
>> http://www.washingtonpost.com/wp-dyn/content/article/2007/11/06/AR2007110602370_pf.html
>> ) with his friend Mike (Mike Fremuth -
>> http://jfwiki.org/index.php?title=Mike_Fremuth).  They pick up a young
>> dancer, Rachel, go to Joe's apartment.  Mike gets handsy with Rachel,
>> starts taking off her clothes despite her complaints, while Joe plays
>> the piano; Joe breaks it up, sends Rachel home.
>>         13:30: Joe talks about freedom, that we imagine ourselves free
>> but, in practice, are enslaved by jobs, family, social expectations...
>>         18:10: Joe tells us about Dave.  He's writing 'How to identify
>> a roadkill'.  He printed up bumper stickers that look like DC's
>> license plate but bear the legend, 'Washington DC: we be a capitol
>> city', (in 1986 the real plate bore the legend, 'Washington DC: a
>> capitol city').  He works as a courier.
>>         22:30: After work Dave drives to the 'Goldrush', DC's last
>> strip club.  The dancers work for money, but Dave never pays; somehow
>> he gets others to pay for his drinks.  Dave's taking notes for a novel
>> about it.  He's going to run for mayor.  He comes from a large redneck
>> family.  ('Redneck Rounder''s?)
>>         27:40: Dave shows up at Joe's apartment drunk and tearful: he
>> says he's cracking up.  Joe tries to comfort him.
>>         30:40: Joe tells of working in a gas station in a desert.  One
>> night a fellow arrived, driving backwards, who had driven hundreds of
>> miles that way because his headlights were broken; another fellow
>> arrived driving on 2 tires, not having had the time to replace them.
>> The 2 men got into a fight.
>>         32:20: The next day a man with a car full of beavers (he bred
>> them) arrived; most of they were dead.
>>         32:40: 'A while ago' a young couple with a child argue about
>> which is the better parent, leave without the boy, who wanders off
>> into the desert without his shoes.
>>         33:30: Joe got a letter from his wife (Kathleen), who used to
>> live with him at the gas station, had left 12 years ago.  Despite the
>> decline in business because the new freeway bypassed him, Joe stays,
>> confident she will return.
>>         34:40: A bus-full of mutes arrived late in the summer.  They
>> passed notes to each other.
>>         35:40: One November a few years ago a nervous man stayed all
>> day and night.  He seemed to age 15 years overnight.  Joe called the
>> hospital, which took him.
>>         37: The area has suffered a number of natural disasters, but
>> all have bypassed Joe's gas station.  Joe met a man in a sand funnel
>> who looked like him, had similar stories; the next day Joe wondered if
>> it hadn't been a dream.  (Ray from 'In the middle of nowhere'?)
>>         38:50: Joe sees a stretch limousine; he resents them, imagines
>> making their owners hurt, organizing a pie corps to pie them.
>>         44:40: Joe wonders how to define quality of life; we hear the
>> sounds of writing on a chalkboard.  He remembers a lecture by a
>> sociologist to his whole high school class about their life goals.
>>         48:20: Joe speculates about the broke song-writer who writes a
>> hit song; now he has to deal with his success and fame, becomes
>> captive to living up to his image, a 24/7 job, which can end any
>> moment.
>>         51: Joe speculates about an heir to a great fortune.  He cites
>> the example of 'Billy Marx', son of a real-estate magnate who died
>> young from over-work.  Billy is a 'gentleman' who wastes his time; his
>> sister imagines herself an artist, has affairs with artists, plays at
>> painting but never takes it seriously.
>>         55:30: Joe says the unemployed poor have all the free time
>> they want; he observes that they live empty meaningless lives.
>> http://jfwiki.org/index.php?title=Why_I_Don't_Love_You_Anymore
>> russell bell
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